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蒋志的印象创造一直紧贴社会的革新与症结,而且以简练而实质的视觉言语,来调集个别面对实际对立之时的感知经历。借魔金石空间2019年6月在苏黎世画廊周期间举行的蒋志个展《震源》,咱们企图经过此次专题回溯蒋志在不一起期的印象创造。

在蒋志前期的创造中,他一直保持着对世俗社会和日常日子的重视。例如《我知道拉登在哪里,请给我五毛钱》(2002)以乞讨的方法,在城乡结合特点的社会环境中去测验群众对世界政治的重视。在抽离了实效性和事情完毕后的今日,从头反观该件著作愈加凸显出其背面的深层目的。它代表了蒋志前期作业中的特性:他毫不避忌地运用实际资料,但无意于指向详细的事情。

经过设置一个群众所熟识的语境,他企图去诘问含义生成机制中的内涵逻辑和驱动。其所引发的心情、反响、举动,既是社会结构性的,也表现出了个别经历的阈限。蒋志对语境的设定是有意为之,更是根据对事情与含义单向度联系的置疑。他的作业方法并不是否定阐释,而是一种对简单化阐释的批判。

一起,诗篇和文学性也是蒋志作业中重要组成部分。例如《礼物》(2014)、《在风中》(2016)、《字》(2018),在近年的印象创造中,蒋志经过削弱著作中的事情性含义,来回应当含义被悬置之时,概括和阐释是否还能成为一种或许。他以笼统的方法、普世的标志、诗意的言语,转化著作中的社会性和个人经历,树立了一个更为直接的、在心思与感知层面的敞开通道。

|艺|术|家|

蒋 志| JIANG ZHI

蒋志(1971年生于湖南沅江),1995年结业于我国美术学院,现寓居和作业在北京。在1999年参与“后理性——异形与梦想”展览后,蒋志成为一起代艺术家中最具影响力的一员。他的著作具有广泛的跨前言性,包含印象、绘画、拍摄、设备、诗篇还有小说。蒋志曾获2010年改造前史(2000-2009年我国新艺术)学术大奖;2002年香港世界电影短片节“亚洲新势力——评委会大奖”;2000年我国当代艺术提名奖(CCAA)。

首要个展有:我认出风暴,魔金石空间,北京,我国(2018);去来,刺点画廊,香港,我国(2018);范沧桑,HDM画廊,北京,我国(2017);咱们,耿画廊,台北,我国(2017);注定,魔金石空间,北京,我国(2016);一现,白立方,香港,我国(2015);窄门,魔金石空间,北京,我国(2012);假如这是一个人,年代美术馆,广州,我国(2012)。

首要群展有:艺术家书,空白空间,北京,我国(2018);小说艺术,OCAT,深圳,我国(2018);深圳香港城市修建双城双年展“城市共生”,深圳,我国(2017);1989年后的艺术与我国——世界剧场,所罗门·R·古根海姆博物馆,纽约,美国(2017);我国当代艺术年鉴展2016,北京民生现代美术馆,北京,我国(2017);后理性:惊骇与毅力,北京民生现代美术馆,北京,我国(2016);世变,Para Site,香港,我国(2016);从头发电,第9届上海双年展,上海当代艺术博物馆,上海,我国(2012);见所未见,第4届广州三年展,广东美术馆,广东,我国(2012);Time Versus Fashion,The Kunstverein Nürtingen艺术中心,德国(2009);在曩昔与未来之间,美国世界拍摄中心(ICP)纽约,美国(2004);紧迫地带/第50届威尼斯双年展,威尼斯,意大利(2003);暂停/第四届,光州双年展,光州,韩国(2002);后理性——异形与梦想,北京,我国(1999)。

Notes to editors

Jiang Zhi (b.1971, Yuanjiang City, Hunan Province) is a Beijing-based artist who graduated from the China Academy of Art in 1995. After participating in the 'Post-Sense Sensibility' exhibitions in the 1990s, Jiang Zhi has subsequently proceeded to become one of the most influential Chinese artists of his generation. He works with a wide range of mediums that span video, painting, photography, installation, poetry and writing novels. He was awarded the academic achievement of Reshaping History (Chinart from 2000-2009) in 2010, the Asian New Force IFVA Critics Award in 2002, and was also awarded the Chinese Contemporary Art Award (CCAA) in 2000.

Major solo exhibitions include: Already I Know the Storms, Magician Space, Beijing, CN (2018); Going and Coming, Blindspot Gallery, Hong Kong, CN (2018); To Make With Changes, HDM Gallery, Beijing, CN (2017); One is All, All is One, Tina Keng Gallery, Taipei, CN (2017); Predestiny, Magician Space, Beijing, CN (2016); The Sight, White Cube, Hong Kong, CN (2015); Strait is the Gate, Magician Space, Beijing, CN (2012); If This is a Man, Times Museum, Guangzhou, CN (2012).

Major group exhibitions include: On Paper 2, White Space, Beijing, CN (2018); Fiction Art, OCAT Shenzhen, Shenzhen, CN (2018); Bi-City Biennale of UrbanismArchitecture“City Grow Difference”, Shenzhen, CN (2017); Art and China After 1989: Theatre of the World, Solomon R. Guggenheim Museum, New York, US (2017); The Exhibition of Annual of Contemporary Art of China 2016, Beijing Minsheng Art Museum, Beijing, CN (2016); That Has Been, and May Be Again, Para Site, Hong Kong (2016); The 9th Shanghai Biennale 2012 – Reactivation, Shanghai Art Museum, Shanghai, CN (2012); The 4th Guangzhou Triennial – The Unseen, Guangdong Art Museum, Guangzhou, Guangdong, CN (2012);

Time Versus Fashion, Kunstverein Nürtingen, Germany (2009); Between Past and Future: New Photography and Video from China, ICP and Asia Society, New York, USA (2004); The 50th Biennale di Venezia, Venice, ITA (2003); The 4th Gwangiu Biennale Exhibition, Gwangiu, KOR (2002); Post-Sense Sensibility: Alien Bodies & Delusion, Beijing, CN (1999).

|选|稿|人|

魔金石空间| MAGICIAN SPACE

魔金石空间自2008年树立以来,一直保持独立的艺术态度,以反思的方法介入我国当代艺术活动。

在为新晋国内与世界年青艺术家供给探究与实践途径的一起,魔金石空间亦重视立足于我国本乡艺术环境的艺术家,致力于敞开与在我国当代艺术史中被忽视的老练艺术家的对话,然后企图为群众翻开一个进入当代艺术语境的不一样的窗口。

Since becoming established in 2008, Magician Space navigates beyond the remit of a conventional gallery by responding to the challenges faced in China.

Our exhibitions are dedicated to providing important platforms for emergent future artists based both across China and internationally, and also supporting figures who have contributed significantly to the history of Chinese contemporary art. In this way, Magician Space seeks to challenge, stimulate, and address the blinds areas overlooked by the development of contemporary art in China.

北京市朝阳区酒仙桥l路2号798艺术区798东街100015,魔金石空间

798 East Road, 798 Art Zone, 2 Jiuxianqiao Road, Chaoyang District, Beijing, China, 100015

+86010 59789635 www.magician-space.com info@magician-space.com

环绕电影导演和印象艺术家的著作,试验印象中心将持续树立数字化档案馆,便利群众检索与查阅。在此基础上,试验印象中心还将安排专题研讨,策划讲座活动,出书专业书籍,供给公共教育的学术沟通服务。

CEF works on digital archive construction, centred by works of film directors and artists. The archive is accessible for searching and viewing by public. Also in the realm, CEF organizes themed researches, curates seminars, publishes books and provides services in public education and scholarly exchange.

试验印象中心(Centre for Experimental Film,简称CEF),是一个致力于印象展映与研讨的组织,也是一个专心印象试验的资料馆。经过在线电影院,试验印象中心定时上映艺术影片,邀约策展人策划和整理展映专题,并为印象著作树立数字化的档案。与此一起,试验印象中心活跃联动线下电影院,衔接不同国家和地区的印象活动及各大电影节,促进印象展映的多重途径沟通,构建印象研讨的多元文明生态。

除此之外,试验印象中心还将长时间支撑印象的创造、出品、制造等,包含持续对“艺术家的电影”的支撑。

Centre for Experimental Film (CEF) is an institution dedicated to art film screening and study, with an archive focusing on digital image research and documentation. Through Online Cinema, CEF programs art film and video screening periodically, inviting professionals to curate screening series and documenting work in digital archive. CEF as well integrates with offline cinemas and interacts with regional and global film festivals. In all, CEF promotes a multichannel exchange on film and video screening and constructs a multicultural ecosystem in experimental film study.

In addition, CEF is committed to supporting the making, production and creation of artistic film and video, including unremitting support to the Artist Film, the Young Curator and the Young Director projects.

/ 出品资助/

在线文明艺术(深圳)有限公司

/ Presented by & Lead Sponsor /

Art Films Online [Shenzhen]

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